If anything in this life is certain, if history has taught us anything, it's that you can kill anyone. — Michael Corleone
Directed by Francis Ford Coppola. With Al Pacino, Robert De Niro, Robert Duvall, Diane Keaton. The early life and career of Vito Corleone in 1920s New York. The Godfather Part II is the 1974 crime film that was the continuation of the Corleone family saga that began with 1972's The Godfather.The film follows the path of Michael Corleone as the head of Corleone crime family as well as traces the roots of his father Vito (Robert De Niro) and the beginnings of the empire in the New York of the early 20th century.
The Godfather: Part II is a 1974 film that portrays the early life & career of Vito Corleone, while his son Michael expands and tightens his grip on his crime syndicate in the 1950's.
- Directed by Francis Ford Coppola. Screenplay by Francis Ford Coppola and Mario Puzo.
Michael Corleone[edit]
- See, all our people are businessmen. Their loyalty's based on that. One thing I learned from Pop was to try to think as people around you think. And on that basis, anything's possible.
- [statement to Congressional hearing] In the hopes of clearing my family name in the sincere desire to give my children their fair share of the American way of life, without a blemish on their name and background, I have appeared before this committee, and given it all the cooperation in my power. I consider it a great dishonor to me personally to have to deny that I am a criminal. I wish to have the following noted for the record: That I served my country faithfully and honorably in World War II, and was awarded the Navy Cross for actions in defense of my country; that I have never been arrested or indicted for any crime whatsoever; that no proof linking me to any criminal conspiracy, whether it is called Mafia or Cosa Nostra or whatever other name you wish to give, has ever been made public. I have not taken refuge behind the Fifth Amendment, although it is my right to do so. I challenge this committee to produce any witness or evidence against me and if they do not I hope they will have the decency to clear my name with the same publicity with which they now have besmirched it.
- I don't feel I have to wipe everybody out, Tom. Just my enemies.
- [kisses Fredo] I know it was you Fredo. You broke my heart. You broke my heart!
Vito Corleone[edit]
- [in Italian] Do me this favor. I won't forget it. Ask your friends in the neighborhood about me. They'll tell you I know how to return a favor.
- [to Don Ciccio, in Sicilian] My father's name was Antonio Andolini, and this is for you! [stabs him]
Don Fanucci[edit]
- [to Vito, in Sicilian] Young man, I hear you and your friends are stealing goods, but you don't even send a dress to my house. No respect! You know I've got three daughters. This is my neighborhood. You and your friends should show me some respect. You should let me wet my beak a little. I hear you and your friends cleared $600 each. Give me $200 each, for your own protection, and I'll forget the insult. You young punks have to learn to respect a man like me! Otherwise the cops will come to your house and your family will be ruined.
Hyman Roth[edit]
- If I could only live to see it, to be there with you. What I wouldn't give for twenty more years! Here we are, protected, free to make our profits without Kefauver, the goddamn Justice Department and the F.B.I. ninety miles away, in partnership with a friendly government. Ninety miles! It's nothing! Just one small step, looking for a man who wants to be President of the United States, and having the cash to make it possible. Michael, we're bigger than U.S. Steel.
- I'm going to take a nap. When I wake up, if the money is on the table, I'll know I have a partner. If it isn't, I'll know I don't.
- Good health is the most important thing. More than success, more than money, more than power.
- [to Michael] There was this kid I grew up with; he was younger than me. Sorta looked up to me, you know. We did our first work together, worked our way out of the street. Things were good, we made the most of it. During Prohibition, we ran molasses into Canada... made a fortune, your father, too. As much as anyone, I loved him and trusted him. Later on he had an idea to build a city out of a desert stop-over for GI's on the way to the West Coast. That kid's name was Moe Greene, and the city he invented was Las Vegas. This was a great man, a man of vision and guts. And there isn't even a plaque, or a signpost or a statue of him in that town! Someone put a bullet through his eye. No one knows who gave the order. When I heard it, I wasn't angry; I knew Moe, I knew he was head-strong, talking loud, saying stupid things. So when he turned up dead, I let it go. And I said to myself, this is the business we've chosen; I didn't ask who gave the order, because it had nothing to do with business! The two million in a bag in your room. I'm going in and take a nap. When I wake, the money's on the table, I'll know I have a partner. If it isn't, I'll know I don't.
Dialogue[edit]
- Signora Andolini: [in Sicilian] All my respect, Don Ciccio. You killed my husband because he wouldn't give in to you. And his oldest son Paolo because he swore revenge. But Vito is only nine. And dumb-witted. He never speaks.
- Don Ciccio: It's not his words I'm afraid of.
- Andolini: He's weak. He couldn't hurt anyone.
- Ciccio: But when he grows, he'll grow strong.
- Andolini: Don't worry. This little boy can't do a thing to you.
- Ciccio: When he's a man, he'll come for revenge.
- Salvatore Tessio: [in Sicilian] Ehi Vito! Ma tu si sicuru ca iddu rici di sì? (Hey Vito! Are you sure he will say yes?)
- Vito Corleone: [in Sicilian and English] Nun ti scantari (Do not worry): I make him an offer he don't refuse. Don't worry!
- Senator Pat Geary: The Corleone family has done very well here in Nevada. You own, or you control, two major hotels in Vegas, one in Reno. The licenses were grandfathered in so there was no problem with the Gaming Commission. Now, my sources tell me that you plan to make a move against the Tropigala. They tell me that within a week you're gonna move Klingman out. That's quite an expansion. However, it will leave you with one little technical problem. Ahh! - the license will still be in Klingman's name...Well, let's cut out the bullshit. I don't want to spend any more time here than I have to. You can have the license - the price is $250,000, plus a monthly payment of five percent of the gross. Of all four hotels, Mr. Corleone.
- Michael Corleone: Now the price for the license is less than $20,000, am I right?
- Geary: That's right.
- Michael: Now why would I ever consider paying more than that?
- Geary: Because I intend to squeeze you. I don't like your kind of people. I don't like to see you come out to this clean country with your oily hair, dressed up in those silk suits, trying to pass yourselves off as decent Americans. I'll do business with you, but the fact is that I despise your masquerade, the dishonest way you pose yourself — yourself and your whole fucking family.
- Michael: Senator, we're both part of the same hypocrisy, but never think it applies to my family.
- Geary: I want your answer and the money by noon tomorrow. And one more thing. Don't you contact me again, ever. From now on, you deal with Turnbull.
- Michael: Senator? You can have my answer now, if you like. My final offer is this: nothing. Not even the fee for the gaming license, which I would appreciate if you would put up personally.
- Fredo Corleone: Sometimes I think I should have married a woman like you did. Like Kay. Have kids. Have a family. For once in my life, be more like Pop.
- Michael Corleone: It's not easy to be a son, Fredo. It's not easy.
- Hyman Roth: I heard you had some trouble. Stupid. People behaving like that with guns. The important thing is you're all right. Good health is the most important thing, more than success, more than money, more than power.
- Michael Corleone: I came here because there's gonna be more bloodshed. I want you to know about it before it happens so that there's no danger of starting another war.
- Roth: Nobody wants another war.
- Michael: Frank Pentangeli came to my home, and he asked my permission to get rid of the Rosato brothers. When I refused he tried to have me killed. He was stupid; I was lucky. I'll visit him soon. The important thing is that nothing interfere with our plans for the future, yours and mine.
- Roth: Nothing is more important. You're a wise and considerate young man.
- Michael: And you're a great man, Mr. Roth. There's much I can learn from you.
- Roth: Whatever I can do to help, Michael...You're young, I'm old and sick. What we will do together in the next few months will make history Michael, history. It's never been done before. Not even your father would dream that such a thing could be possible.
- Michael Corleone: [in Cuba] I saw an interesting thing today. A rebel was being arrested, and rather than be taken alive, he pulled the pin on a grenade he had hidden in his jacket. He killed himself and the captain of the command.
- Guest: Ah, the rebels are lunatics!
- Michael: Maybe. But it occurred to me, the soldiers are paid to fight. The rebels aren't.
- Hyman Roth: What does that tell you?
- Michael: They can win.
- Note: the bolded portion is ranked #58 in the American Film Institute's list of the top 100 movie quotations in American cinema. That portion has often been attributed to Sun Tzu and sometimes to Niccolò Machiavelli, but there are no published sources yet found which predate its use in this film. There is, however, an Italian proverb that follows closely: 'Dagli amici mi guardi Iddio, che dai nemici mi guardo io!' – May God protect me from my friends, I protect myself from my enemies. Voltaire said, 'God protect me from my friends, I'll take care of my enemies”.
- Michael Corleone: I've always taken care of you, Fredo.
- Fredo Corleone: Taken care of me? You're my kid brother, and you take care of me? Did you ever think about that? Huh? Did you ever once think about that? 'Send Fredo off to do this. Send Fredo off to do that! Let Fredo take care of some Mickey Mouse nightclub somewhere! Send Fredo to pick somebody up at the airport!' I'm your older brother, Mike, and I was stepped over!
- Michael: It was the way Pop wanted it.
- Fredo: It ain't the way I wanted it! I can handle things! I'm smart! Not like everybody says, like dumb! I'm smart, and I want respect!
- Michael: Is there anything you can tell me about this investigation? Any more?
- Fredo: The Senate lawyer, Questadt, he belongs to Roth.
- Michael: Fredo, you're nothing to me now. You're not a brother, you're not a friend. I don't wanna know you or what you do. I don't wanna see you at the hotels. I don't want you near my house. When you see our mother, I wanna know a day in advance so I won't be there. You understand?
- Fredo: Mikey...
- Michael Corleone: What do you want from me? Do you expect me to let you go? Do you expect me to let you take my children from me? Don't you know me? Don't you know that that's an impossibility, that that could never happen, that I'd use all my power to keep something like that from happening? Don't you know that? Kay, now in time, you'll feel differently. You'll be glad I stopped you now. I know that. I know you blame me for losing the baby. Yes, I know what that meant to you. I'll make it up to you, Kay. I swear I'll make it up to you. I'm gonna change. I'll change. I've learned that I have the strength to change. And you'll forget about this miscarriage. And we'll have another child. And we'll go on, you and I. We'll go on.
- Kay Adams-Corleone: Oh, Michael. Michael, you are blind. It wasn't a miscarriage. It was an abortion. An abortion, Michael! Just like our marriage is an abortion, something that's unholy and evil. I didn't want your son, Michael! I wouldn't bring another one of you sons into this world! It was an abortion, Michael! It was a son, Michael! A son! And I had it killed because this must all end! I know now that it's over. I knew it then. There would be no way, Michael, no way you could ever forgive me, not with this Sicilian thing that's been going on for 2,000 years!
- [discussing how to kill Hyman Roth]
- Tom Hagen: It would be like trying to kill the President; there's no way we can get to him.
- Michael Corleone: Tom, you know you surprise me. If anything in this life is certain, if history has taught us anything, it's that you can kill anyone.
- Tom Hagen: When a plot against the emperor failed, the plotters were always given a chance to let their families keep their fortunes. Right?
- Frank Pentangeli: Yeah, but only the rich guys, Tom. The little guys got knocked off and all their estates went to the emperors — unless they went home and killed themselves. Then nothing happened, and the families — the families were taken care of.
- Tom: That was a good break. A nice deal.
- Frank: Yeah. They went home and sat in a hot bath, opened up their veins and bled to death, and sometimes they had a little party before they did it.
Cast[edit]
- Al Pacino - Michael Corleone
- Robert Duvall - Tom Hagen
- Diane Keaton - Kay Adams-Corleone
- Robert De Niro - Vito Corleone
- John Cazale - Fredo Corleone
- Talia Shire - Connie Corleone
- Lee Strasberg - Hyman Roth
- Michael V. Gazzo - Frankie Pentangeli
- G.D. Spradlin - Sen. Pat Geary
- Richard Bright - Al Neri
- Gastone Moschin - Don Fanucci
- Tom Rosqui - Rocco Lampone
- Bruno Kirby - Young Clemenza
- Frank Sivero - Genco Abbandando
- Dominic Chianese - Johnny Ola
- Troy Donahue - Merle Johnson
- James Caan - Santino 'Sonny' Corleone
- Abe Vigoda - Sal Tessio
- Giuseppe Sillato - Don Francesco Ciccio
- Mario Cotone - Don Tommasino
- Carmine Caridi - Carmine Rosato
- Danny Aiello - Tony Rosato
See also[edit]
External links[edit]
Wikipedia has an article about:
- The Godfather Part II quotes at the Internet Movie Database
- The Godfather Part II at Rotten Tomatoes
- The Godfather Part II at Allmovie
- The Godfather Part II at Metacritic
Retrieved from 'https://en.wikiquote.org/w/index.php?title=The_Godfather_Part_II&oldid=2754335'
. English.
SicilianBudget$13 millionBox office$48–88 millionThe Godfather Part II is a 1974 American produced and directed by from the screenplay co-written with, starring,. It is the second installment in. Partially based on Puzo's 1969 novel, the film is both and to, presenting parallel dramas: one picks up the 1958 story of (Pacino), the new of the, protecting the family business in the aftermath of an attempt on his life; the prequel covers the journey of his father, (De Niro), from his Sicilian childhood to the founding of his family enterprise in.Following the success of the first film, began developing a follow up to the film, with much of the same cast and crew returning. Coppola, who was given more control on the film, had wanted to make both a sequel and a prequel to the film to tell the story of the rise of Vito and the fall of Michael.Principal photography began in October 1973 and wrapped up in June 1974. The Godfather Part II premiered in New York City on December 12, 1974, and was released in the United States on December 20, 1974, receiving divided reviews from critics but its reputation, however, improved rapidly and it soon became the subject of critical re-evaluation. It grossed between $48–88 million worldwide on a $13 million budget.
The film was nominated for eleven at the and became the first sequel to win for. Its six Oscar wins also included for Coppola, for De Niro and for Coppola and Puzo. Pacino won the and was nominated for the.Some have deemed it superior to The Godfather. Both Part II and its predecessor remain highly influential films, especially in the. In 1997, the ranked it as the and it retained this position. It was selected for preservation in the U.S. Of the in 1993, being deemed 'culturally, historically, or aesthetically significant'.
The final film in the trilogy, was released in 1990. as. as. as. as.
as. as. as. as.
as Senator Pat Geary. as.
as. as Rocco Lampone. as Young. as young Genco.
as Young. as Mama Corleone. as Deanna Corleone. as Signor Roberto. as Johnny Ola.
as Michael's bodyguard. as Merle Johnson.
as Young. as Willi CicciProduction Development Puzo started writing a script for a sequel in December 1971, before The Godfather was even released; its initial title was The Death of Michael Corleone. Coppola's idea for the sequel would be to 'juxtapose the ascension of the family under Vito Corleone with the decline of the family under his son Michael.I had always wanted to write a screenplay that told the story of a father and a son at the same age. They were both in their thirties and I would integrate the two stories.In order not to merely make Godfather I over again, I gave Godfather II this double structure by extending the story in both the past and in the present.' Coppola, in his director's commentary on The Godfather Part II, mentioned that the scenes depicting the Senate committee interrogation of and are based on the and that Pentangeli is like a Valachi figure.The film's original budget was $6 million but costs increased to over $11 million, with 's review claiming it was over $15 million. Original screenplay in the National Museum of the Cinema inCoppola offered a part in the film, but he refused.
Agreed to reprise the role of Sonny in the birthday flashback sequence, demanding he be paid the same amount he received for the entire previous film for the single scene in Part II, which he received. Several actors from the first film did not return for the sequel. Initially agreed to return for the birthday flashback sequence, but the actor, feeling mistreated by the board at, failed to show up for the single day's shooting. Coppola then rewrote the scene that same day. , who portrayed in the first film, also declined to return, as he and the producers could not reach an agreement on his demands that he be allowed to write the character's dialogue in the film. The part in the plot originally intended for the latter-day Clemenza was then filled by the character of Frank Pentangeli, played by Michael V. Gazzo., in a small role as Connie's boyfriend, plays a character named Merle Johnson, which was his birth name.Two actors who appear in the film played different character roles in other Godfather films:, who plays Carmine Rosato, also went on to play crime boss Albert Volpe in;, who plays a young, appears as a bystander in The Godfather scene in which beats up Carlo for abusing Connie.
Among the actors depicting Senators in the hearing committee are film producer/director, writer/producer, producer Phil Feldman, actor and writer. Filming The Godfather Part II was shot between October 1, 1973 and June 19, 1974. The scenes that took place in were shot in,., whose owned Paramount, felt strongly about developing the Dominican Republic as a movie-making site. Was the Sicilian town featured in the film.Unlike with the first film, Coppola was given near-complete control over production. In his commentary, he said this resulted in a shoot that ran very smoothly despite multiple locations and two narratives running parallel within one film.Production nearly ended before it began when Pacino's lawyers told Coppola that he had grave misgivings with the script and was not coming.
Coppola spent an entire night rewriting it before giving it to Pacino for his review. Pacino approved it and the production went forward.Coppola discusses his decision to make this the first major U.S.
Motion picture to use 'Part II' in its title in the on the edition of the film released in 2002. Paramount was initially opposed because they believed the audience would not be interested in an addition to a story they had already seen.
But the director prevailed, and the film's success began the common practice of numbered sequels.Only three weeks prior to the release, film critics and journalists pronounced Part II a disaster. The cross-cutting between Vito and Michael's parallel stories were judged too frequent, not allowing enough time to leave a lasting impression on the audience. Coppola and the editors returned to the cutting room to change the film's narrative structure, but could not complete the work in time, leaving the final scenes poorly timed at the opening.It was the last major American motion picture to have release prints made with 's dye process until the late 1990s.Music. Main article: Release Theatrical The Godfather Part II premiered in New York City on December 12, 1974, and was released in the United States on December 20, 1974.Home media Coppola created expressly for American television in a 1975 release that combined The Godfather and The Godfather Part II with unused footage from those two films in a chronological telling that toned down the violent, sexual, and profane material for its debut on November 18, 1977. In 1981, Paramount released the Godfather Epic boxed set, which also told the story of the first two films in chronological order, again with additional scenes, but not redacted for broadcast sensibilities.
Coppola returned to the film again in 1992 when he updated that release with footage from and more unreleased material. Main article:The video game based on the film was released in April 2009.
Reception Box office The Godfather Part II did not surpass the original film commercially, but in the United States and Canada it grossed $47.5 million. It was ' highest-grossing film of 1974 and was the in the United States that year. Re-released twice more since its original release, the film grossed between $48–88 million worldwide. Critical response Initial critical reception of The Godfather Part II was divided, with some dismissing the work and others declaring it superior to the first film.
While its cinematography and acting were immediately acclaimed, many criticized it as overly slow-paced and convoluted. Viewed the film as 'stitched together from leftover parts.
It moves in fits and starts but it has no mind of its own. The plot defies any rational synopsis.' Of accused the story of featuring 'gaps and distentions.' A mildly positive awarded three stars out of four and wrote that the flashbacks 'give Coppola the greatest difficulty in maintaining his pace and narrative force.
The story of Michael, told chronologically and without the other material, would have had really substantial impact, but Coppola prevents our complete involvement by breaking the tension.' Though praising Pacino's performance and lauding Coppola as 'a master of mood, atmosphere, and period', Ebert considered the chronological shifts of its narrative 'a structural weakness from which the film never recovers'. Gave the film three-and-a-half stars out of four, writing that it was at times 'as beautiful, as harrowing, and as exciting as the original. In fact, 'The Godfather, Part II' may be the second best gangster movie ever made.
But it's not the same. Sequels can never be the same. It's like being forced to go to a funeral the second time—the tears just don't flow as easily.' The film quickly became the subject of a critical re-evaluation. Whether considered separately or with its predecessor as one work, The Godfather Part II is now widely regarded as one of.
Many critics compare it favorably with the original – although it is rarely ranked higher on lists of 'greatest' films. Retrospectively awarded it a full four stars in a second review and inducted the film into his section, praising the work as 'grippingly written, directed with confidence and artistry, photographed by Gordon Willis. in rich, warm tones.'
's conclusion in his 2002 essay, selected for the National Film Registry web site, is that 'although 'The Godfather' and 'The Godfather Part II' depict an American family's moral defeat, as a mammoth, pioneering work of art it remains a national creative triumph.' The Godfather Part II was featured on 's Director's list of the ten greatest films of all time in 1992 and 2002.It ranked #7 on 's list of the '100 Greatest Movies of All Time', and #1 on 's 1998 list of the '50 Greatest Movies of All Time on TV and Video'. On, it holds a 97% approval rating based on 79 critical reviews, with an of 9.62/10. The consensus reads, 'Drawing on strong performances by Al Pacino and Robert De Niro, Francis Ford Coppola's continuation of Mario Puzo's Mafia saga set new standards for sequels that have yet to be matched or broken.' , which uses a weighted average, assigned the film a score of 90 out of 100 based on 18 critics, indicating 'universal acclaim'.Many believe Pacino's performance in The Godfather Part II is his finest acting work, and the was criticized for awarding the that year to for his role in. It is now regarded as one of the greatest performances in film history.
In 2006, issued its list of 'The 100 Greatest Performances of all Time', putting Pacino's performance at #20. Later in 2009, issued 'The 150 Greatest Performances of All Time', ranking Pacino's performance fourth place. Accolades This film was the first sequel to have won the Academy Award for Best Picture. The Godfather and The Godfather Part II remain the only original/sequel combination both to win Best Picture.
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Most professional tastemakers, even those exasperated by what they felt was the movie's sometimes plodding-pace, recognized the creative crowning achievements of the film's direction, cinematography and acting. Berliner, Todd (2010). University of Texas Press.
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